Special Effects Work


As a graduate of Character Make-Up Design from IADT Dublin, I bring a multidisciplinary approach to character creation for film.

My skills span prosthetic design and application, special effects make-up, wig and hair work, sculpture, mold-making, and detailed beauty and corrective make-up—crafted with precision for camera-ready results.

I’m passionate about translating narrative and emotion through visual transformation, and I thrive in both collaborative and fast-paced production environments. This portfolio reflects the diversity of materials, techniques, and characters I’ve brought to life across film, theatre, and live performance.




What you will see below


-Cuts & Bruising

-Tattoo Cover up

-Prosthsetic Piece

-Creation of teeth





As You Like It – William Shakespear. 

Character – Orlando. Young man banished into mysterious forest that begins growing onto his skin the more time he spends there.


  • Face - Moisteriser and foundation for a base.​
  • SFX- Prosthetic plant root veins made from plaster moulds sculpted and made by myself. Using gelatine to create the pieces. Placed down using prosaide and coloured with Illuastrator IPA pallete. ​Fullers earth used to create tree effect on forheadand neck skin. Coloured using illustator IPA pallets and eyeshadow pigments.




Bruises and Cuts

  • Cuts- Placing and carving scar wax and coloured using cream pallets and IPA pallets. Aswell as some fake blood.
  • Bruises- Using coloured cream pallets to apply.




Creating Teeth

Small college project to create some functional gruely rotten teeth from scratch.

Moulded, sculpted and painted to finish.

Steps taken were as followed

Alginate – for making the mouth impression

Plaster – to create a cast

Vacuum form machine – for the base plate

Sculpting tools + clay or wax – for tooth shaping

Acrylic resin – for final teeth

Tooth paints, stains, or alcohol-activated palettes – for realistic color

Clear sealant or gloss varnish – for shine




Tatoo Cover Up

Using orange/flesh tones liquid pigment on top of the tattoo, then proceeding with some fixing spray and covering using cream pallet of the skin tone on top and creating flesh pigments with the Alcohol pallet and stipple brushes before finishing with little bit of powder.